KHACHATURIAN CLARINET TRIO PDF


Khachaturian, Aram – Trio for Clarinet, Violin, and Piano – Edition Sikorski Milhaud, Darius – Suite, Op b – Violin, Clarinet, and Piano – Editions Salabert. The star player on this fine showcase is clarinettist Ludmila Peterkova, a one-time graduate of the Prague Conservatory who has already recorded Bruch and.

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Streams Videos All Posts. Though it dates from his school clainet in Moscow, it is masterful and unique, a perfect showcase for Khachaturian’s blend of classical and exotic folk elements particularly emphasized by the colorful instrumentation. The finale, Moderatois a set of nine variations based on an Uzbek folk melody, featuring several exotic intervals.

The opening Andante con dolore, molto espressione is a duet for the clarinet and violin, almost improvisational, with the piano accompaniment adding a complex layer seemingly in rhythmic conflict with the other instruments.

Composition Artist Credits Contrasts. The middle Allegro is very obviously modeled on folk dances, with rich color and precise rhythms. His talent was so great that he was admitted the Gneissin Institute, Moscow’s second most prestigious music school.

The more moderate finale is a theme and variations based on an Uzbek folk melody giving Khachturian an ample vehicle for demonstrating the riches of this ensemble supremely suited to his unique style.

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Eventually, he served as a professor at both music schools. Prokofiev was so impressed with this piece that he was able to see that it was performed and published in Paris soon after it was completed. Khachaturian was still a student of Myaskovsky at the Moscow Conservatory in the early s when he wrote this trio for clarinet, violin, and piano, and yet it displays the same rhythmic and harmonic devices that mark his mature works.

Bartók/Khachaturian/Milhaud/Stravinsky Clarinet Trios

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That again is from a mixed recital. Romantic Evening Sex All Themes. Bartok, Francaix, Khachaturian, Poulenc and others: The arguably more famous clarinet trios from Mozart, Beethoven, Schumann Bruch and Zemlinsky are all scored for clarinet with piano and viola or cello.

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Please enable JavaScript in your browser to use the site fully. The Trio dates from while Khachaturian was still studying with Myaskovsky, who was so impressed with the work that he arranged for it to be premiered in Paris. The second movement celebrates dance and a scherzo impulse with alternating slow and fast sections featuring that brisk motoric drive that sounds at once like both early modernism and ancient folk music. The higher-sounding string instrument becomes more of a partner to the clarinet, sharing the melodic duties throughout the piece.

In three movements, the trio displays Khachaturian ‘s trademark use of crossrhythms, folk songs, and harmonies that could be thorny at some times or bittersweet at others.

A young, provincial seventeen-year old Khachturian moved to Moscow to pursue a higher education, first in biology, then cello performance, and finally composition. Most of his works were for orchestra or large ensembles, although he did write a string quartet and this trio. Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all in our full-searchable Reviews Database.

With Khachaturian’s trio in particular, the pairing of the closely matched clarinet and violin creates a fascinating blend, a complex but seemingly spontaneous polyphonic unity of twin voices so characteristic of numerous Eastern European and Asian folk traditions.

The all-time greats Read about the artists who changed the world of classical music. Modal and chromatic scales swirl from the richly expressive voice of the clarinet and the rustic fiddling of the violin in a rich duet anchored by the piano’s rhythm, harmony and imitation.

Khachaturian, Trio in G Minor for Clarinet, Violin and Piano

L’ Histoire du soldat. The Moderato finale is a set of variations on an Uzbekistani folk song, effectively contrasting the timbres of the instruments and showing off the clarinet as a folk instrument. The opening movement, Andante con doloreis essentially a lyrical improvisation based on a slow, mournful melody derived from an Armenian folk song, and decorated with arabesque embellishments.

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What first distinguishes Khachaturian ‘s Clarinet Trio from nearly all others written earlier, such as Mozart ‘s, Beethoven ‘s, or Brahms ‘, is his use of the violin rather than the mellower-sounding viola or cello.

Here and throughout the trio, you hear the distinctive duo of undulating, decorative elaborations evoking a highly emotive, improvisational cantillation. Gramophone’s expert reviews easier than ever before. Aram Khachaturian was born in the Georgian city of Tiflis now Tiblisi.

Share on facebook twitter tumblr. He did not begin to study music as a child but at 19 took up the cello. Genre Chamber Music Classical.

Khachaturian, Aram – Trio for Clarinet, Violin, and Piano – Edition Sikorski

Her style hints at the once-familiar chirruping tone that we associate with the best of her Teio forebears, and it suits this particular recital.

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Later he transferred to the Moscow Conservatory where he studied composition with Nikolai Myaskovsky. He was born and raised in Tbilisi, Georgia then part of the Russian empire where he was initially inspired by numerous folk music traditions from Armenia, Azerbaijan, Uzbekistan and Georgia. Melody and descant, call and response, haunting unisons and evocative intervals flow through a river of shifting tempi, mood and instrumental color that eventually grows soft and sorrowful until it flickers and fades into a deeply charged silence.

Trio for Clarinet, Violin and Piano. Rainy Day Relaxation Road Trip. The work is in three movements.