Installation view, BRACHA: Pietà — Eurydice — Medusa, UB Art Galleries, SUNY .. Bracha L. Ettinger will present the Keynote Lecture at the Kochi-Muziris. Bracha L. Ettinger is an international artist-painter, artist-theorist, psychoanalyst and philosopher working in oil-painting, drawing, photography, notebooks and. The most comprehensive museum exhibition in the United States so far of artist and theorist Bracha L. Ettinger’s work is on view at the UB.

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Edited by Catherine de Zegher. This section may be too technical for most readers to understand. Tracey Emin and Bracha L.

She replaces the phallic structure with a dimension of emergence, where objects, images, and meanings are glimpsed in their incipiency, while being differentiated. Brian Massumi is professor of communication at the University of Montreal. There is was that the Lord who received many guests made his lunge … He seized her against her will, ettinnger her on his golden chariot, And drove away as she wept.

La librairie, Les Abattoirs, Toulouse Francesca Woodman and Bracha L. Ettinger discusses her life and work. She was filled with a sense of wonder, and she reached out ettinber both hands to take hold of the pretty plaything.

Bracha L. Ettinger

Iris blossoms too she picked, and hyacinths. Ether The Nothing That Connects Everything Diagrams the interconnections among cosmic consciousness, hermetic avant-gardes, and technological progress. The first brush touch is already an encounter with traces.

Off [hors] Figures, in: Flammarion and Centre G. The I wit h ness while borderlinking bordurelaint to the non-I and borderspacing bordurespacant from the other.

This gesture expresses an invitation to inhabit a world between human and animal: All published in — see list of recent publications. In her early days she avoided the art scene.

Bracha L. Ettinger

Colour Becoming Light, Becoming Music Over the last thirty years Bracha Ettinger has been developing an important body of art and theory that radically re-paints, and re-thinks, the feminine, the subject, aesthetics and ethics.


Writing on Contemporary Art and Artists. And My Heart Wound-space. Archived from the original on Thus, the process itself helps to negotiate and articulate delicately sexual difference, in the present.

Archived from the original on 5 September Artworking —with a reprint of Notes on Painting. Ettinger calls for the recognition of the matrixial transference as a dimension in the transferential relationships in psychoanalysis. Thus, even if Ettinger critiques the Freudian and Lacanian analysis of the feminine, she considers bracya as a “post” or “neo” Freudian and Lacanian, who elaborates the feminine in continuity to these psychoanalysts, but claims a supplementary feminine-maternal Eros.

Her ideas in cultural theory, psychoanalysis, and French feminism see Feminist theory and psychoanalysis achieved recognition after the publication of Matrix and Metramorphosisfragments from her notebooks Moma, Oxford, and The Matrixial Gaze From the ancient Greek, the word ekstasis denotes a rapturous, mystical even, ontological displacement of the sovereign subject. And the name of the truth it carries for me, as it transpires and inspires, is beauty. Notify me of new comments via email.

Here amongst, what I propose to call, a ettingre eco-ontology we find paint as colour-light nestling amidst creaturely figures and botanic becomings: Around Ettinger began her Conversation and Photography project. Such a concept of subjectivity, where “non-I” is trans-connected to the “I”, has deep ethical implications [71] as well as far-reaching sociological and political implications that have been further developed by Griselda Pollock in order to rethink modern and postmodern art and History.

Barry Schwabsky on Bracha L. Ettinger – Artforum International

Currently numbering over fifty, painted over many years, these Eurydices are an extended series that Bracha returns to again and again, adding wounding lines and sorrowing colours. These rivulets of opalescent light-water reappear across the canvases of recent paintings in which Bradha invokes other female figures — women, daughters and mothers — who accompany the Eurydices caught between two deaths that she has been painting with for over twenty years.


Oxford University Press,pp. Though ettinegr onward her work still consists mainly of oil paintings and drawings, she is also doing new media animated video-films where the images are multi-layered like her painting. Psychoanalysis and the Image. In the last decade, Ettinger’s oil on canvas paintings involve figures like Medusa, Demeter and Persephone, and Eurydice.

Explorations of Liminality in Literature. In this way, the feminine that Bracha continues to place before us — in her art and in her thought — is a gift to the humanfor if we can learn to listen and see this feminine poeticallyaestheticallywe already participate in potentialising affective relations now and in the past, present, future of a beyond-as-before Matrixial Time.

Yale University Press, Trespassing through Shadows Memory, Photography, and the Holocaust The first ettihger to interpret the role of photography in current representations of the Holocaust. She sees in the trans-subjectivity a distinct dimension of human specific linkage and shareability, different from, and supplementary to “inter-subjectivity” and “self” psychology.

In Ophelia, Medusa nos. Oxford University Press, Here, one witnesses in jointness: Ettinger is author of several books and more than eighty psychoanalytical essays elaborating different aesthetical, ethical, psychoanalytical and artistic aspects of the matrixial.

Dreaming Agnes”, and Bracha L. You are commenting using your Facebook account. Ettinger had a solo project at the Pompidou Centre inand bgacha solo exhibition at the Museum of Calais in April Learn how and when to remove this template message.